9/11/2023 0 Comments Painting it red![]() ![]() However, oil-based paint may work better if you’re looking for intense color coverage. ![]() Latex paint is a popular choice as it is durable and resistant to moisture, making it ideal for walls. When covering up a red wall, there are a few different types of paint that you can use. Working with a more opaque paint and a quality primer can help provide better coverage of the red wall. If the red wall is a glossy finish, dull it down with sandpaper before painting. Oil-based paint is generally more opaque and two coats will help ensure full coverage. Primers make it easier to hide dark colors, so use a good quality stain-blocking primer before painting with a light color. Before painting, remove all switch plates, outlet covers and curtains and patch any holes in the walls. This will help create a better bonding surface for the new paint. When preparing to paint red walls, the surface should be prepared properly by washing and sanding the walls. Barbara Rose (New York: Viking Press, 1975), 10.Yes, painting over red walls can be difficult because red is a very bold color and it can be difficult to completely cover. 4 Ad Reinhardt, “Five Stages of Reinhardt’s Timeless Stylistic Art-Historical Cycle” (1965), in Art-as-Art: The Selected Writings of Ad Reinhardt, ed. 3 Margit Rowell, Ad Reinhardt and Color, exh. 2 Alexandra Munroe and Reiko Tomii, interview with Donald Judd, 1988, audio, Collection of the Center for International Contemporary Arts, New York, Historical Music Recordings Collection, Fine Arts Library, The University of Texas at Austin. Flavin Judd and Caitlin Murray (New York: Judd Foundation and David Zwirner Books, 2016), 121. 1 Donald Judd, “Local History” (1964), in Donald Judd Writings, ed. Judd installed another painting by Reinhardt, Abstract Painting, 1960, on the third floor of 101 Spring Street. 3Īccording to Reinhardt’s self-referential “Five Stages of Reinhardt’s Timeless Stylistic Art-Historical Cycle,” this painting may fall in the fourth stage, which the artist described as “early-classical hieratical red, blue, black monochrome square-cross-beam form symmetries of the fifties.” 4 The painter is known for his long engagement with abstraction and monochrome painting, as well as his witty critical writing and cartoons. Still, within the context of the unified visual field, they announce themselves as “red.” Even in the later red paintings, when Reinhardt did use something bordering on a frank bright red, he juxtaposed it so subtly to other tones of extremely close value, that the chromatic distinctions become blurred. In the early “red” pictures of about 1951, his reds are rarely true red, rather they are hot pinks, oranges, apricots, even golden hues. Margit Rowell, in Ad Reinhardt and Color, described Reinhardt’s use of color as “ambiguous,” the suggestion being that in a work such as Abstract Painting, Red, 1952, there are many reds-not a single red. I never went to his house, but he lived nearby, somewhat.” 2 ![]() As Judd described in an interview in 1988, “I used to meet-just in the same building, going to get the Sunday New York Times on a Saturday night, it probably happened three or four times, you’d run into Ad Reinhardt, who usually didn’t want to talk either, but he always wanted to talk in the cold, for a half an hour, on the street corner. Judd met Reinhardt for the first time in the early 1960s, when Judd was living at 53 East Nineteenth Street. They were some of the best and most original paintings being done, and by 1959 they were better than most of those being made by the decelerating Expressionists.” 1 In his 1964 essay “Local History,” Judd wrote, “Ad Reinhardt had developed his black paintings around 1955 and was gradually developing them further. Reinhardt had his first solo exhibition of paintings in 1943 and showed regularly at Betty Parsons Gallery. Born Adolph Friedrich Reinhardt in Buffalo, New York, Ad Reinhardt, like Donald Judd, studied art history with Meyer Schapiro at Columbia University, New York. ![]()
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